22 Aug 2016

Roe deer bucks and late-onset allergies

Rest is not idleness, and to lie sometimes on the grass under trees on a summer’s day, listening to the murmur of the water, or watching the clouds float across the sky, is by no means a waste of time.  John Lubbock

I was rather mortified to find that it is two months since I last posted (I would have guessed at half of that), but in truth, I just haven’t had much to say or to show you.  Consequently, the photographs I’ll post in the gallery below will span a few weeks and several trips out and are rather a haphazard collection.  I’ll also add a second gallery of recent work, just to prove that I have been getting on with something.

I love the tall elegant spikes of Foxglove flowers.
I love the tall elegant spikes of Foxglove flowers.

My husband was taken rather poorly in July with what we initially thought was a severe tummy bug, but at the point where he erupted in a violent full-body rash (you’d think he’d been paint balling naked, his opponent armed with red paint – and no, I have no idea how that scenario might even arise either), I decided that it was rather more than someone just passing on undesirable germs, so called the doctor.  Through a bit of detective work, we speculated that it was possibly a severe allergic reaction to a portion of ice cream he’d eaten, containing chopped pecan nuts.  Thankfully, the suggested hay fever meds caused the rash to retreat very rapidly and subsequent blood testing confirmed a severe allergic reaction to nuts. Rather odd, when he’d both tolerated and regularly enjoyed nuts for over half a century.

So until he can have proper testing and can learn more (the waiting list is lengthy), we’re now manic label readers.  I already read everything for myself, as a diabetic who eats reduced carbs, but it’s surprising just how many seemingly unlikely products we ate regularly are now on the banned list.  Not only is our own supply cupboard looking very different, but it makes eating out, both commercially and in other people’s houses, a rather risky experience, especially when foods that have the potential to prove dangerous might seemingly have little outwardly to do with nuts (meats can be fried in nut oils, sauces thickened with nut flour, added vegetable protein and vegetable oils in recipes can be derived from peanut etc. etc.).  I can’t even begin to imagine what a minefield it must be to parents of youngsters with similar dangerous allergies.

As he already has several chronic and serious health issues, the severity of his body’s reaction to that very small amount of nuts has had a detrimental impact on his overall health, although thankfully he’s now showing considerable improvement.  Consequently, our weekends have been spent trying to recharge the batteries and return him to previous health levels, so we’ve made a point of getting out at any opportunity to visit favourite quiet places.

We might not go far or do much when we get there, but making a point of going out, even if you only sit and read for an hour and listen to birds and the breeze through the trees, enforces a detachment from real life for a while and removes you from temptation to just get on with chores.  The investment of time, we feel, is very well worth doing in this regard.  I’m certain that our policy of doing this regularly has paid dividends in his recovery and certainly does me good too.

Roe deer bucks – 2 for the price of 1:

Hence we found ourselves on Saturday afternoon, sat in the car to shelter from the very stiff winds and intermittent rain, with our books and flask of coffee, just enjoying the peace and watching a group of bunnies chasing each other through the grass.  There was a moment when one running shape registered as odd until my brain put it together and I realised that this was no bunny, but a roe deer, somewhat further away.  It ran the full width of the field in front of us, stopped and ate for a few minutes and then ran towards us diagonally and disappeared into the trees edging the field.

Grasses catching evening sun, as pretty as any 'conventional' flowers.
Grasses catching evening sun, as pretty as any ‘conventional’ flowers.

I was struggling to get decent photos through the slope of the car windscreen, but was able to get out of the car fairly invisibly as there was a sign nearby that I was able to walk in line with and hide behind to get some better photos.  It was a considerable distance, so the shots are significant crops (see below), but you get the idea.   I’d managed to remain unseen by it until two cars tried to pass in the single track road and one revved in frustration and this got the deer’s attention, at which time it must have seen me as it is looking straight at me in the photograph.

A few moments after it disappeared into the trees, we spotted what we thought was the same deer a few yards from where I’d first photographed it, but it couldn’t have got there in the time, or without us seeing it, so we were a little perplexed.  It followed exactly the same route over the field and disappeared into the trees at the very same spot.  I took some more photos through the open car window and it was only when reviewing these later that I could see that it wasn’t the same deer at all.  The first roe deer buck looks to be about 2 or 3 years old with 2 tines or points on his antlers, where the second buck not only has three tines on his antlers, suggesting he’s probably a year or so older, but he only had one antler, his left one being missing.

It was odd that they’d followed the same route across the field, both into view and again out of it, but as it is their rutting season, I wonder if the older male was following the scent of his younger rival, with a view to demonstrating his greater status – and perhaps that’s why he only has one remaining antler, maybe he’s already put it to good use.

 Gallery:

Recent work:

Just to prove that I haven’t been entirely sat on my bottom drinking coffee and gawping, these are some of the new designs added to the shop recently.

 

15 Apr 2016

It’s April, what happened to the weather?

The Eskimos had fifty-two names for snow because it was important to them:
there ought to be as many for love.
Margaret Atwood

With the longer evenings since the clocks went forward, last Saturday was the first day that we had the opportunity to visit our favourite spot at Beacon Fell in the early evening.  We’d been on a visit to family and thought we could come back the ‘scenic’ route and whilst it was likely to be far too cold for a picnic and the timing might well be wrong, we packed a flask and books, thinking we could at least enjoy the scenery for a while and have a little peaceful interlude.

This little chap and several mates dashed to the fence to see us as we passed and weren't spooked at all. If it hadn't been lashing down, I would have got out of the car and tried for some better photos.
This little chap and several mates dashed to the fence to see us as we passed and weren’t spooked at all. If it hadn’t been lashing down, I would have got out of the car and tried for some better photos.

The weather in the morning had been glorious, despite a frigid wind, but the forecast clearly showed it worsening as the day progressed, but we were determined to get out anyway.  It didn’t give any indication however of just how badly it would worsen.  I don’t think I’ve ever seen weather quite like it before.

It was spotting with rain as we closed the miles to our very favourite spot and the intensity increased to the point that by the time we came to a standstill, we were reduced to a robust negotiation as to who should venture out to the back of the car to fetch the flask and our books.  My husband grabbed the bag he thought everything was in, which thankfully at least included my pocket camera and the flask.

The rain increased still further and we commented on how it was now clearly sleety – from the way it made little bumpy splodges on the car windows.  Then there was a gentle thud on the roof of the car and then another.  We demisted the windscreen, wondering what it was and could clearly see great big dollops of snow in amongst the rain.

It was the oddest phenomena.  Sometimes in summer when it rains very hard, you get a lot of leaves coming down with the rain, torn straight off the trees by the ferocity of the raindrops.  At a glance, this looked similar, but the lumps among the raindrops were big white dollops of snow, big enough to look like leaves and to make a sound when they hit the car.  Normally rain is all of a similar texture, with largely evenly sized droplets, but this was torrential and substantial rain, with visible lumps of snow falling at the same time.  The snow pieces were at least twice the size of a 50p piece and dropping slower than the rain around it, drifting down at a leisurely pace.

The rain that fell that day had great big lumps of snow in it and as the cloud lifted, we could see that more of it had been snow at slightly higher levels. I felt rather sorry for the tiny lambs out in the sudden blast of cold and unpleasant weather.
The rain that fell that day had great big lumps of snow in it and as the cloud lifted, we could see that more of it had been snow at slightly higher levels. I felt rather sorry for the tiny lambs out in the sudden blast of cold and unpleasant weather.

I variously tried photographing and videoing this strange weather experience, but nothing I got could do it justice, so you’re just going to have to take my word for it.  We listened to the Grand National horse race on the radio, then concluded that it was at least improving a little, the sky was tangibly brightening and the cloud lifting – at the zenith of this weather, the hillsides adjacent were completely hidden, but as they re-appeared, they were dusted with snow.  Not something I would have put on the list of things I might have expected to see today.

We headed home whilst it was still light, hoping that the better weather to follow would show itself so that we could enjoy the scenery on the way home.  There were at least some new lambs in the fields now, having not yet seen many, so I did manage to snag a couple of photographs and you can see above how wintry and cold the weather had been.  I must admit to being a little concerned at the tiny new lambs shivering away in this unexpected wintry snap.  The following day was thankfully sunny and spring-like, so I’m sure that they enjoyed that much better.

My work this week:

I worked several existing designs for orders and to replenish stock and made one or two variations of ‘classic’ designs that I have in shop that have sold consistently over the years – spiral earrings for example, have always been a favourite and I made a couple of pairs of un-hammered simple spirals.  As with all seemingly ‘simple’ designs, poor workmanship has nowhere to hide, so you have to work with care.

 

20 Aug 2015

Take 2 on my camera considerations

Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.   Edward Weston

Photograph: a picture painted by the sun without instruction in art.    Ambrose Bierce

Further to my previous post on camera choices and image processing workflow, I had a change of mind.  I decided to go ahead and buy the small DSLR I wanted (Canon 100D), to replace my rather large and heavy model (Canon 20D), which I’ll sell privately to off-set the cost.

We struck an especially lovely evening in our favourite spot, which gave me chance to test the new camera.
We struck an especially lovely evening in our favourite spot, which gave me chance to test the new camera.

In my defense, there was some degree of rationale in my thinking.  I’d bookmarked the camera at several retailers and as a replacement model has been rumoured, I was monitoring prices, expecting there might be a reduction if a new model was announced – I’d picked up previous cameras at good prices in such scenarios.

I love that taking photographs allows me to notice things that I otherwise might not, like the fabulous structure of this scabious flower.
I love that taking photographs allows me to notice things that I otherwise might not, like the fabulous structure of this scabious flower.

At one retailer, they suddenly dropped the price a little over 10%, without any mention of doing so and the unit at that price didn’t seem to appear when searching for it independently on their site.  If I hadn’t bookmarked it, I might never have seen that price.  So I monitored it over a few days and it fluctuated several times by odd, small amounts, like 67p.

As it was less than a week until the manufacturers cash back offer was due to end, I decided to go ahead.  It might well come down if another model does come out soon, but I’m still pretty happy, coupled with the cash back offer, that the price was as good as I was hoping for anyway.  As I’m going on holiday soon, it would be a shame to miss the opportunity to take it with me, so the decision was made.

I was actually pretty happy to see that the price went back up again the very next morning, even before mine had been delivered, so my timing had thankfully been spot on.  I have a slight suspicion that the lowered price might even have been a mistake on their part as it made it very competitive.

The light is always gorgeous on sunny evenings in ths spot, so I regularly try and catch it through the car windscreen as we drive.
The light is always gorgeous on sunny evenings in this spot, so I regularly try and catch it through the car windscreen as we drive.

Having got the rather diminutive camera I have also decided that I’ll probably sell my one pretty decent lens, an ultra wide angle that looked as sexy as hell on my larger DSLR, but is very front-heavy and unbalanced on the smaller body.  That, as such, wouldn’t bother me, but it is wide enough at the front that when you put the camera down, it rests on the wide front of the lens, not the base of the camera body.  I’ve not used it as much as I expected, so selling it, with the other body, might well cover most of this new camera.

Whilst I love my Fuji HS20 bridge camera for a lot of reasons, I’ve always missed not using a DSLR – the gorgeously creamy smooth shots, better detail in features like grass and foliage and especially the great quality at higher ISOs and the speed of reaction, from establishing focus to taking the shot.

The digicams, on the other hand, seem to think about it for a while, then decide if they feel like taking the shot – at least that’s how it feels if you’ve just spotted a barn owl flying past you at eye level 15 feet away, as happened recently.  The tree shot above left is a good example of the lovely lighting I see regularly as we drive along the single track road and have failed to capture many times because the camera couldn’t get focus on a moving target.  I often take photographs out of the moving car window (as a passenger I hasten to add) and the speed of a DSLR is much more suited to this practice.

As the coast is 20 miles to the left of this scene and the ground drops away dramatically, sunset seems to fill the whole area with the uninterrupted glow of sunset light.
As the coast is 20 miles to the left of this scene and the ground drops away dramatically to sea level, sunset seems to fill the whole area with the uninterrupted glow of sunset light.

I have always liked to develop my own images from RAW files (the camera just saves the raw data of the image and you use software to turn it into an image on a computer subsequently) and I like blending exposures from tricky scenes beyond the dynamic range capability of the camera.  Our eye/brain combination is so clever, that a camera is really up against it when trying to capture a dramatically lit scene in an instant single frame, where our eyes scan it rapidly and make complex micro-adjustments that form the whole scene we ‘see’ – complete with details in the fluffy clouds and also under trees, deep in shadow.

The sunset scene above and the banner shot at the top are such examples.  I know that those images now represent how the scene actually was, as the sun set and left the land bathed in the most fabulous golden glow, just before the colour left it almost completely.  It was too dark to see much of the landscape detail within minutes of taking the shot.  It’s a fleeting light show that’s hard to capture and the camera wasn’t able to catch all of that subtlety in one frame, without my help.  It didn’t help that I was trying out auto white balance and it corrected that orange glow for me, rather defeating the object, which is why I rarely use it – cloudy or shade white balance is better for sunsets as it tends to leave the colour largely alone.

I've always been fond of doing wide landscape vistas, with a piece of foreground interest.
I’ve always been fond of doing wide landscape vistas, with a piece of foreground interest.

What I like to do is develop 2 versions (or more) of an image.  One – as in this case above – to capture the sky as it was and another with more detail of the land, bringing back the detail in line with what I’d seen.  With lighting that dramatic (and it was possibly a bit darker than it might look) it’s not possible to get both looking good in one frame without some post-processing assistance.

I then blend them together in one composite image to get the best of both.  Ideally, if I had my tripod, taking two separate images, one exposed for the sky and one for the land would no doubt give a better result, but this is an intermediate way of getting almost that result.  I don’t see it as any different from dodging and burning in the darkroom under the enlarger, which I’ve also done.  I’m going to try exposure bracketing next time to see if I can get the individual frames close enough on alignment, hand held, for it to work, it might be a good compromise.

I'm always mesmerised by the diversity of different grasses that grow wild in this area, a myriad of different structures.
I’m always mesmerised by the diversity of different grasses that grow wild in this area, a myriad of different structures.

On the down side of going out and about again routinely with a DSLR (I’d stopped carrying the other one, purely because of its weight and size), I’m having to re-acquaint myself with the geometry of the much shallower depth of field achieved with the significantly larger sensor in a DSLR.  I’ve got rather spoiled by not having to worry about it, due to the tiny sensor in my other compact cameras and at the moment, it accounts for several less than stellar results with the new camera.  It hadn’t taken me long to stop giving it conscious thought as I worked – a habit I quickly need to re-learn.

It is, of course, also a creative bonus too – allowing the subject to be isolated from the background, like the grass to the right and the deep red scabious flower above, dropping distracting details and texture from backgrounds, or just leaving enough to give the frame context.

But none of this has addressed my earlier workflow concerns, far from it, it has opened a whole new can of worms and the battle continues.  I love working from RAW images, but can’t afford the best software for doing so, so I’m trying to settle on something that will work for me with minimal outlay.  I have two pieces of free software at the moment, each of which has its merits, but neither is an outstanding winner in addressing the way I like to work and the things I photograph. I think this is partly due to my lack of expertise with them.  The software is much more sophisticated and capable than when I first started tinkering with RAW files about 15 years ago, so I see another learning curve to climb ahead of me.

My work this week:

Quite a bit of my time of late has been taken up with working on commissions and re-working older designs that still sell well.  I occasionally re-visit pieces when I come to make them again, to see if the design or methodology can be improved upon and this necessitates the taking of new photographs and re-writing the product description where the item changes.  This can seem as though I’ve not made much, but it’s a perpetual process of keeping on top of designs and ensuring that as my skills improve, so does what I offer my customers, just as it should be.

I do have two new silver pieces from my recent period of working with silver clay:

Silver ivy leaf earrings with integral Sterling silver earwires.
Naturally contoured silver ivy leaf earrings with integral Sterling silver earwires.

 

Large lavender coloured Cubic Zirconia wrapped in a swirl of solid silver.
Large lavender coloured Cubic Zirconia wrapped in a swirl of solid silver.  This one was a treat for myself.

 

27 Jul 2015

Appraising camera equipment and workflow

A camera is a tool for learning how to see without a camera.  Dorothea Lange. 1895 – 1965

Please click on any of the photographs to see a larger view.

I’ve been thinking a lot about cameras and photography recently and appraising my equipment and image processing workflow.  My photography has meant different things to me at different times in my life, but has been an important constant since childhood.

On a recent walk, we saw Foxgloves that were as tall as I'd ever seen, this patch were as tall as me.
On a recent walk, we saw Foxgloves that were as tall as I’d ever seen, this patch were as tall as me.

Ideally, I’d like to swap my now rather heavy DSLR for a smaller, lighter model, as my use for it has changed in recent years.  But at the moment, I can’t make the numbers work for me or justify the additional expense.  I was lined up to trade in my heavy DSLR for a lighter modern model, but the retailer concerned reduced their part-ex offer to me at the last minute, so in rather a fit of pique and annoyance, I asked them to just return my old camera to me and took the new camera out of my shopping cart.

I took ownership of a new (at least to me) computer a few months ago and am gradually replacing software for the multitude of things I use my computer for, so image editing processes were important things to consider.

A favourite spot for bluebells, this is an old photograph I revisted in RAW format as it had been overexposed in the patches of sunlight.
A favourite spot for bluebells, this is an old photograph I revisited in RAW format as it had been overexposed in the patches of sunlight.

Until my last computer got too tired to handle it, I habitually took all my photographs in a RAW format to process later and would never consider buying a camera without that functionality.  But I had more recently started working just with JPEGs – it seemed a better solution with the bridge camera and compact I was currently using as walkabout cameras.

If you’d like to see an even larger version of the bluebell woods to the right, I’ve also uploaded a large version of the file – sometimes with detailed images like woodland, you need to see them large to appreciate the details.  I wish I was there right now, perched on a log with a cup of coffee, a book to read and to just enjoy the birdsong.

But having installed several trials or free programs for RAW conversion, now my computer can handle it, I started looking out older photos from different cameras to test with and it has been fun to tinker with images again.  The program I’ll probably settle on using is so feature-full that it’s going to take some time to learn in order to get the best from it.

This is a spot we stop at regularly for our picnic lunch, as there's a parking spot adjacent and it's very tranquil and peaceful.
This is a spot we stop at regularly for our picnic lunch, as there’s a parking spot adjacent and it’s very tranquil and peaceful.

Although I have concluded after several days with the programs open and periodically tinkering with them, that I’m still getting better results with JPEGs with the two general purpose walking cameras I’m using, the RAW format files just don’t seem to work as well (almost certainly down to some degree to my own ineptitude) as the cameras own purpose designed processing algorithms.  Whilst I can certainly improve exposure, tonal range and colour, it seems to be at the considerable expense of noise and deteriorating image quality – probably due to their tiny sensors.  So the exercise has been worthwhile, even if what I take from it is ‘as you were’.

The light is always filtering through these trees in an afternoon when we tend to visit, I must try and get there early in a morning when it's shining the other way.
The light is always filtering through these trees in an afternoon when we tend to visit, I must try and get there early in a morning when it’s shining the other way.

But revisiting some of my old RAW files from the DSLR (and the previous model), those certainly do very well.  I’ve got great results even with quite old files with the new apps and have rescued images I’d written off as unusable.

It has however thrown into sharp relief the quality of image that I get from the DSLR (even though it’s a 10 year old model) compared to the newer digicams and made me even more determined to get a smaller walkabout DSLR model.

I’ve salted a few of these recently re-worked images above.  It has been enjoyable, whilst I count down the weeks to some holiday time, to look again at some of my favourite spots as I work on the images.  It’s not quite the same as being there, but for now, whilst we have another summer of unseasonably poor weather, it’s been a little treat.

On the BBC's Springwatch, Chris Packham gave a word of the day and one day it was 'shivelight' to describe shafts of sunlight breaking through woodland canopy - as you know, one of my very favourite things.
On the BBC’s Springwatch, Chris Packham gave a ‘word of the day’ and one day it was ‘shivelight’ to describe shafts of sunlight breaking through the woodland canopy – as you know, one of my very favourite things.

This image on the left, of a new path we walked over the weekend, is an example of what I mentioned above about working with JPEGs.  Due to the extremes of light, I took it as a large JPEG and a RAW file together (on my bridge camera) and spent some time trying to get the result I wanted from the RAW file and wasn’t especially happy with the result.  So I opened the JPEG and used my usual workflow and within 5 minutes had got a much better result.  I doubt that would be the case with RAW files from my DSLR, but certainly with this camera and its tiny sensor, I don’t seem to be gaining enough to be worth the effort.  It also trains me to ensure I get the exposure right at the point of taking the image and not allowing myself to be sloppy, knowing I can pull it back in processing, so perhaps this is a complimentary technique to ensure I keep my mind on good camera practice.

When you've had a nice walk, a picnic supper, sat and read whilst listening to the birds, what better way to end the evening than a sunset like this.
When you’ve had a nice walk, a picnic supper, sat and read whilst listening to the birds, what better way to end the evening than a sunset like this.

I do however have my camera set up to give me the best possible neutral file to work with, knowing that I like to post process my images to my preferred result later in software.  I keep processing parameters to a minimum, like sharpening, contrast and saturation.

This means that my images tend to come out of the camera looking a little soft, flat, dull and bland.  Which is fine by me, it preserves highlights and detail and gives me a good neutral foundation to work with.  This wouldn’t work if I wanted to print directly from the memory card or wasn’t prepared to work on images, but for me, that’s half the fun.  It’s not an approach that most people would wish to adopt, but I see it as a pseudo-RAW intermediate format; the best possible JPEG data is recorded, but it certainly needs to be knocked into shape visually.  So until I can find the pennies for a new DSLR, I’ll use my old one when that’s needed and make the best of what I already have.

My work this week:

I’ve not just been tinkering with photos and thinking about cameras this week, I’ve put in some quality time with some silver clay.  I bought some at Christmas when it was a good price, but this is the first chance I’ve had with the time to crack it out and get something made.  My copper wild rose pendant sold soon after going on sale, so I also wanted to try a smaller one in silver.  I scaled down the component shapes and worked in just the same way as previously, except I replaced the round disc I’d used as a base on the back of the copper one with a proper calyx shape, so that it’s as nice on the back as the front.

Hand sculpted wild rose pendant in pure silver.
Hand sculpted wild rose pendant in pure silver.

 

Each petal is hand sculpted and they're all different. The pendant hangs on a discreet bail loop behind the top petal.
Each petal is hand sculpted and they’re all different. The pendant hangs on a discreet bail loop behind the top petal.

 

The back of the pendant shows the calyx and remains of the stem to make the back structure interesting too.
The back of the pendant shows the calyx and remains of the stem to make the back structure interesting too.

 

I’ve always been very fond of simple, uncluttered jewellery and especially silver with sleek lines.  I wasn’t sure how sleek I could get with silver clay, so this pendant was a bit of a trip into uncharted waters for me, but it worked rather better than I’d hoped.  I also love marquise shaped stones and have had a few put aside for the right design for some time.  I decided that the greater shrinkage rate of copper clay might render it unsuitable for setting a stone with such a long perimeter distance (a lot of distance to shrink and potentially crack), but it worked perfectly in the silver, which I’m finding only shrinks around 5% from dry after firing.

This hand crafted silver pendant features sleek lines and a gorgeous marquise shaped Cubic Zirconia stone.
This hand crafted silver pendant features sleek lines and a gorgeous marquise shaped Cubic Zirconia stone.

 

Contemporary silver pendant set with a large marquise Cubic Zirconia faceted gemstone.
Contemporary silver pendant set with a large marquise Cubic Zirconia faceted gemstone.